Dispatch — Long Read
The Most Underrated Directors Working Today
A look at 10 brilliant filmmakers who deserve far more attention, from Kiyoshi Kurosawa and Lijo Jose Pellissery to Alice Rohrwacher and Pablo Larraín.
The Cinéprism
05 / 09 / 2026 · 3 min read

Kiyoshi Kurosawa

Kiyoshi Kurosawa has spent decades making films that sit somewhere between horror, mystery, and quiet human drama. Cure remains his best known work, but films like Pulse, Tokyo Sonata, and Wife of a Spy show just how versatile he is. His films often turn ordinary places and situations into something deeply unsettling without relying on cheap scares.
Lijo Jose Pellissery

Lijo Jose Pellissery is one of the most exciting filmmakers in Indian cinema today. His films are chaotic, energetic, and full of life, but there is always something deeper underneath. Angamaly Diaries, Ee.Ma.Yau., and Jallikattu show his ability to turn large groups of people and messy situations into gripping cinema. His style is instantly recognizable.
Christian Petzold

Christian Petzold makes films that look simple on the surface but slowly reveal more complicated stories underneath. Phoenix, Barbara, and Transit often deal with identity, love, memory, and people trying to escape their past. His filmmaking is controlled and quiet, allowing the characters and their choices to stay at the center.
Alice Rohrwacher

Alice Rohrwacher has a rare ability to mix everyday life with something almost magical. Films such as Happy as Lazzaro, The Wonders, and La Chimera feel grounded in real life while still having a dreamlike quality. She often focuses on ordinary people, forgotten communities, and the changing world around them.
Andrea Arnold

Andrea Arnold makes intimate films about people living on the edge of society. Fish Tank, American Honey, and Red Road are raw without feeling forced. She has a remarkable eye for young characters and complicated relationships, often giving her films a loose, natural feeling that makes them feel incredibly personal.
Radu Jude

Radu Jude is one of the boldest directors working in Europe. His films can be funny, uncomfortable, political, and completely unpredictable at the same time. Bad Luck Banging or Loony Porn and Do Not Expect Too Much from the End of the World show his interest in Romania's history, modern society, and the strange ways people behave.
Cristian Mungiu

Cristian Mungiu is known for making extremely grounded dramas where small decisions can have huge consequences. 4 Months, 3 Weeks and 2 Days brought him international attention, while Graduation and Beyond the Hills continued his focus on difficult moral choices. His films rarely give easy answers, which makes them linger long after they end.
Miguel Gomes

Miguel Gomes makes cinema that feels unlike almost anything else. He moves freely between reality, memory, fantasy, and storytelling, often creating films that feel like someone telling you a strange dream. Tabu, Arabian Nights, and Grand Tour show his playful approach to filmmaking while still having a strong emotional core.
Hong Sang-soo

Hong Sang-soo has built an entire style around seemingly simple conversations and everyday encounters. His films often follow filmmakers, writers, artists, and strangers talking over meals or drinks. Yet tiny changes in a conversation can completely change the meaning of a scene. Right Now, Wrong Then, The Day After, and In Front of Your Face are great examples of his deceptively simple filmmaking.
Pablo Larraín

Pablo Larraín has a talent for looking at famous people and historical moments from unusual angles. No, Jackie, Spencer, and El Conde all approach familiar subjects in very different ways. His films are often visually striking, but what makes him stand out is how he turns well known stories into something strange, personal, and unpredictable.
— The Cinéprism
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